Notes From "Double 'A'"

 THE CONCEPT: The group that Andy Farber and Andrew Williams assembled for this album is not stuck to one style of jazz; they eschew the holy wars of moldy figs against beboppers, beboppers against free jazzers, neobeboppers against everyone else. "That's not us," insists Williams. "We don't have any hidden agenda," says Farber, the group just played the music we like, and whatever happened, happened. For the last few years, Andy Farber has been composing and arranging for larger groups---big bands, orchestras, octets. "For my first album, I wanted to just blow and have fun. I do have some original compositions," he continues, "but the album is more of an outlet for me as a player. Andrew Williams was a logical guy to colead this date: we've been playing together for so long that we've developed a musical symbiosis which allows us to get right into the music." Farber and Williams share a longtime love of albums that showcase great tenor duos~Sonny Stitt and Gene Ammons; Dexter Gordon and Wardell Gray; Johnny Griffin and Eddie "Lockjaw" Davis; and the recent pairing of James Moody and Mark Turner. They also love the spirit of collaboration between trombonists Kai Winding and J.J. Johnson. So for Farber and Williams this is the best of both worlds~trombone and tenor, which is rare as the sole front line of a jazz quintet (far more typical is the pairing of trumpet and saxophone). And since Williams plays the tenor trombone, in a way this is a collaboration between tenors, with a wonderful twist.
`I just try to swing, play pretty melodies, and deal with some blues," says Farber. "Andrew Williams is coming from the same place. We make a great team.
 

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Slide Hampton

 "I met Andrew Williams three years ago in New York City -- and I was overwhelmed. How could a musician of this skill and talent not be widely recognized? We started jamming, and his disciplined approach to improvisation not only mirrored my attitude but inspired me in my playing and arranging. Andrew also helped me develop the concept for Inclusion. Like all serious artists he's always striving to better himself and I've been privileged to observe his development as a trombonist."
-Slide Hampton

Frank Foster

 "Jazz which deserves the ears of all discerning listeners...it's highly evident that they did just what they set out to do; just blow and have fun...a very high quality CD"
-Frank Foster